![]() With more than 25 years in the music industry, Solis has earned a reputation as a master at developing catchy pop tunes. In addition to paying tribute to Puerto Rican music, the album also revisited songs from his days with Los Bukis. Revisiting some of his most popular songs, Solis performed at the Teatro de Bellas Artes de Puerto Rico on March 21, 1999, accompanied by the Symphony Orchestra of Puerto Rico. The year 2000 and the release of the live album Marco Antonio Solis en Vivo marked for some a turning point in the artist's recording career. The album surpassed its radio success, with the cut "Si No Te Hubieras Ido" appearing in the internationally acclaimed film Y Tu Mama Tambian. Recorded between Miami and Los Angeles and released in 1999, the concept album Trozos de Mi Alma included ten songs, including Solis compositions that had previously been recorded by Spanish artists Roc'o Durcal and Enrique Iglesias. ![]() The album was a major radio hit in both Mexico and the United States, with the song "La Venia Bendita" reportedly staying at the top of the charts for more than 25 weeks the "social content" of the album also sparked great public interest. By the time Los Bukis broke up the following year, Solis was releasing his first solo album, En pleno vuelo. In the mid-1990s, the original band began to fall apart in 1995 Eusebio "El Chivo" Cortez and José "Pepe" Guadarrama left the group. A flower, a landscape, a face, a smile, a goodbye, love or falling out of love have all been for him inspiration pressed into verse and music."ĭespite ongoing work with Los Bukis, Solis began exploring a solo career that would prove to be a seamless break with his musical past. ![]() "His first songs already had that 'something' that only the great masters of popular music can give. " had it clear from the very beginning that he wanted to be a singer and composer, a profession to which he had dedicated his heart and soul," said his record label, Fonovisa. The song "Yo Te Necesito," which was recorded in 1982, won international acclaim for the band due precisely to its success in the United States, and was nominated for a Grammy in 1984. For some it was the most important force in an expanding musical market that reflected an important and rapidly growing demographic: Latino immigrant audiences in the United States. Los Bukis, with their fusion of cumbia, norteño and banda music accompanied by the synthesizer, deeply affected the evolution of the Tejano and norteño music so popular along the U.S.-Mexican border. The band name reportedly means the "the youngsters" in an indigenous language, fitting for a group in which the average age was 18. Solis was the band's creative soul, acting as producer, arranger, composer and singer. His most important musical decision, however, came when he formed Los Bukis as an adolescent early in the 1970s. The group later changed its name to Los Soles Tarascos. A musical career quickly followed suit when he joined his cousin Joel to found Los Hermanitos Solis (The Little Solis Brothers) at the age of 12. With time, growing commercial success and major music awards gave an extra push to his already formidable level of public acceptance throughout the Americas.īorn in the state of Michoacan, Mexico, Solis began his love affair with music at an early age. As founder of one of the most popular Mexican bands of recent decades, Solis capitalized on the fame earned onstage with Los Bukis and continued to win over audiences in Mexico, the United States, and beyond, with his own mix of ballads, boleros, rancheras and cumbias. įor one wishing to jump into a solo career, one couldn't imagine a better trampoline than the one enjoyed by Mexican singer and composer Marco Antonio Solis. Addresses: Record company-FONOVISA Records, 820 Canoga Ave., Ste #300, Woodland Hills, CA 91367, website. Born in Michoacan, Mexico married Beatriz Adriana (a singer divorced, 1993) children: daughter, Beatriz.
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